Anthology of Ideas

Byron, intentionally or unintentionally, weaves himself into his poetry stamping it with his entire persona. His characters are part of himself; the poems are pieces of his mind; the events are based on experience. Byron’s poetry is an amalgamation of all aspects of Byron. This is truer in some poems than others: some are nearly biographical and others skillfully manipulate other’s perceptions of Byron. His poetry reveals the inner workings of his mind .

Yes, the Earth is “work’d over and over with sour dead”, but the earth is the symbol of renewal, so why should they poison it? The earth and its environs are incorruptible. Like a body, the Earth can renew itself, but unlike a body, it can heal from any injury or poison. When “normal” plants first evolved, they took over the earth and corrupted its atmosphere with their toxic breaths. The Earth embraced this change and it and all its life adapted to these changes giving rise to our everyday world.

“There Was a Child Went Forth” by Walt Whitman illustrates his position as part of the new American Tradition and his desire to fulfill the call for a poet who “sings the materials of America” by Emerson. The poem is earthy and real: the emotion, events and perceptions are that of the average person. The lofty ideas presented within are approachable because they are part of the every-man’s perception and life.

Wordsworth and Keats both wrote poems about birds, and both imbue their birds with a mystical nature, but where Keats sees the bird as a representation of a better life, Wordsworth sees it as a mysterious presence that represents the disembodied spirit of nature. In Wordsworth’s “To the Cuckoo” he never sees his cuckoo and had long since stopped looking for it, so the bird had become a spirit that represents the rest of nature, and like the daffodils it transcends itself.

For Walt Whitman and other “Bright Romantics,” death does not represent an end but new beginnings, renewal and life. Whitman sees death from the perspective of a phoenix — each death brings new life, so death is “low and delicious” and the word “stronger and more delicious than any” because if one focuses solely on life, they will always be disappointed because of the finite nature of life, but if one focuses on death, life will always be sweet because it will bring death which brings more life.

In the few lines that make up a single scene of Wordsworth’s “Prelude”, the personified Nature encourages the young Wordsworth to steal a boat and admonishes him for failing to resist the urge. Although the young Wordsworth only focused on the method Nature used to correct him, the adult Wordsworth recognized the contradiction and believed that Nature used this event to guide him and help him understand and control his human desires, and, in the process, demonstrate that the relationship between an individual and nature is the same as that of parent and child.

Byron, intentionally or unintentionally, weaves himself into his poetry stamping it with his entire persona. His characters are part of himself; the poems are pieces of his mind; the events are based on experience. Byron’s poetry is an amalgamation of all aspects of Byron. This is truer in some poems than others: some are nearly biographical and others skillfully manipulate other’s perceptions of Byron. His poetry reveals the inner workings of his mind .

Yes, the Earth is “work’d over and over with sour dead”, but the earth is the symbol of renewal, so why should they poison it? The earth and its environs are incorruptible. Like a body, the Earth can renew itself, but unlike a body, it can heal from any injury or poison. When “normal” plants first evolved, they took over the earth and corrupted its atmosphere with their toxic breaths. The Earth embraced this change and it and all its life adapted to these changes giving rise to our everyday world.

“There Was a Child Went Forth” by Walt Whitman illustrates his position as part of the new American Tradition and his desire to fulfill the call for a poet who “sings the materials of America” by Emerson. The poem is earthy and real: the emotion, events and perceptions are that of the average person. The lofty ideas presented within are approachable because they are part of the every-man’s perception and life.

Wordsworth and Keats both wrote poems about birds, and both imbue their birds with a mystical nature, but where Keats sees the bird as a representation of a better life, Wordsworth sees it as a mysterious presence that represents the disembodied spirit of nature. In Wordsworth’s “To the Cuckoo” he never sees his cuckoo and had long since stopped looking for it, so the bird had become a spirit that represents the rest of nature, and like the daffodils it transcends itself.

For Walt Whitman and other “Bright Romantics,” death does not represent an end but new beginnings, renewal and life. Whitman sees death from the perspective of a phoenix — each death brings new life, so death is “low and delicious” and the word “stronger and more delicious than any” because if one focuses solely on life, they will always be disappointed because of the finite nature of life, but if one focuses on death, life will always be sweet because it will bring death which brings more life.

In the few lines that make up a single scene of Wordsworth’s “Prelude”, the personified Nature encourages the young Wordsworth to steal a boat and admonishes him for failing to resist the urge. Although the young Wordsworth only focused on the method Nature used to correct him, the adult Wordsworth recognized the contradiction and believed that Nature used this event to guide him and help him understand and control his human desires, and, in the process, demonstrate that the relationship between an individual and nature is the same as that of parent and child.