Category Archives: Writings

Hawthorn’s “The Birthmark” and “Rappaccinni’s Daughter” and the pursuit of perfection

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Failed attempts to attain perfection are a frequent subject in Hawthorne’s short stories; these attempts at perfection fail because Hawthorne’s protagonists are misguided and their own innate imperfections cloud their judgments. Hawthorne’s short stories “The Birthmark” and “Rappaccini’s Daughter” both feature a male protagonist who desires to recreate a woman into their own view of perfection. However, a person’s desires often tell more about themselves than others: the belief that something is imperfect reflects the believer not the thing. Judith Fetterly, in her essay “Women Beware Science: ‘The Birthmark,’” argues that Hawthorne’s portrayal of women’s imperfections in “The Birthmark” and other short stories says less about the women than the men who fixate on these imperfections and try to reshape them. A more Freudian approach by Frederick Crews focuses on the birthmark and the garden as icons of feminine sexuality.

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Separation of the individual in Hawthorn’s writing

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Through the short stories “The Man of Adamant”, “The Birthmark” and “The Minister’s Black Veil”, Hawthorne’s presents three ways that people control the external forces — society, nature, and the public self — that affect the internal self and illustrates the totality of an individual’s attempt to place themselves above or beyond the reach of others, but in doing so, it warns that the individual also separates themselves from the intrinsic parts of being human. Each of these three stories illustrates the destructive effects of a particular form of separation: “The Man of Adamant” focuses on the separation of the self from society, “The Birthmark” focuses the separation of science and nature, and “The Minister’s Black Veil” separates the inner and external self.

The flaws portrayed by Aylmer in “The Birthmark” and Digby in “The Man of Adamant” are fairly straightforward, but Hooper, in “The Minister’s Black Veil”, portrays one central theme with an infinite number of explanations which, by comparison, makes Aylmer and Digby seem rather simplistic and one dimensional in their behavior.

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Character analysis of Emma and Mrs. Elton

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In Emma ((Page Numbers are for the Riverside Edition edited by Lionel Trilling)), Jane Austen presents characters who are uniquely human: each has their own rich personality and storied background. Through these characters, Austen is able to intimately explore the human condition, as she saw it, and highlight some of the issues of society and class in her world. To achieve this, Austen creates a world into which a reader can insert themselves through the gossip and unique perspective that the narrator and Emma provides; the reader’s perspective is not that of an all-seeing observer, but almost a character in its own right who may judge the characters as an equal participant and member of the community. From this perspective the reader is able to see characters as rich and complex individuals with whom the reader can acquaint themselves. In doing so, one can pass judgment on the characters not from the outside, but from the inside.

The characters of Mrs.

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Religion in “Silas Marner” by George Eliot

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In Silas Marner George Eliot doesn’t specifically state that religion is bad or dangerous nor does she say that one shouldn’t be religious. Instead, she presents certain aspects of religion that she believes are prone to creating uncertainty and confusion. She then allows readers to make up their own mind. One of her major concerns is the way people believe in God; she doesn’t deny the existence of God, but she says that even if he does exist, he does not interfere, so focusing on signs and symbols from God is dangerous because it detracts from the human aspects of life. Silas Marner states that how one treats others is more important than the religion one follows or if one believes in God.

Eliot directly questions the purpose of organized religion, but is less emphatic in questioning God, and tends to not refer directly to God (both literally and figuratively as the word “God” appears twenty-four times throughout the entire book, and most of these are general expressions.) Thus, the book is an impartial observer of the way religion is practiced and the way God is evidenced in the popular beliefs rather than a direct attack on the validity of religion and the concept of God.

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Interpretations of a slave in “The Heroic Slave” and “Benito Cereno”

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There are three major interpretations of the slave in literature: the good human being who is forced to live their live as a slave, the slave who’s mind, body and soul are broken because of slavery, and the slave who’s mind is twisted and becomes a monster because of the institution of slavery. These views of slavery are prevalent in abolitionist literature because they focus on the evils of slavery rather than the evils of the men who support slavery. In Fredrick Douglas’s “The Heroic Slave”, Douglas presents the reader with Madison Washington: a good man and a loving father and husband. In Herman Melville’s Benito Cereno one is presented with the figure of Babo: a demented and twisted individual who is willing to do anything to regain his freedom. These two images of slavery are used because a writer can show both that slaves are human and legitimize their “evil” deeds as being forced by the institutions of slavery.

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The power of the individual: The American Enlightenment and Romanticism

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During the 18th century, scientific and social changes reshaped the concept of the self. The individual slowly separated from the collective and began to develop as an antithesis of the collective agrarian society of prior centuries; thus, giving rise to a wave of new philosophical thought that evolved into the popular movement of the Enlightenment. The Enlightenment developed around the belief that scientific thought and expression should be free from religious interference and that the foundations of society should be human reason and logic. Over time, these ideals gave rise to Romanticism which introduced the contrast of nature and the self, the internal desires, feelings and beliefs, and juxtaposed Nature with science. Franklin, Poe and Thoreau each represent one of the three popular faces of Enlightenment and Romanticism: Franklin, a well-respected Enlightenment writer, focused his writings on the improvement of the social order through improvement of the self and the realization of a deistic world; Thoreau, an Emersonian or “bright” Romantic, merged Nature with science and allowed for both to work simultaneously while emphasizing the individual’s ability to remove themselves from the flow of society; Poe, a “dark” romantic, wrote mainly on the way the individual views his world and the way the nature of the mind can recreate the world.

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