Tag Archives: Narrator

Byron’s “The Corsair.”

April 18, 2008 by aaron
Byron, intentionally or unintentionally, weaves himself into his poetry stamping it with his entire persona. His characters are part of himself; the poems are pieces of his mind; the events are based on experience. Byron’s poetry is an amalgamation of all aspects of Byron. This is truer in some poems than others: some are nearly biographical and others skillfully manipulate other’s perceptions of Byron. His poetry reveals the inner workings of his mind .
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Swift Misanthrope or Humanitarian

April 24, 2006 by aaron
One of the most important literary lessons one can learn from “Gulliver’s Travels” is the separation of protagonist, narrator and author. Although some times these three personalities blend into one many times they are two or three separate personalities. For example Shelly’s “Frankenstein” separates the author from the narrator and protagonist, although the protagonist is the narrator he does not know what is going to happen, just what has. Atwood’s “Happy Endings” is narrated by the author with the protagonists (although it is a stretch to call them that) are powerless.
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Byron’s “The Corsair.”

April 18, 2008 by aaron
Byron, intentionally or unintentionally, weaves himself into his poetry stamping it with his entire persona. His characters are part of himself; the poems are pieces of his mind; the events are based on experience. Byron’s poetry is an amalgamation of all aspects of Byron. This is truer in some poems than others: some are nearly biographical and others skillfully manipulate other’s perceptions of Byron. His poetry reveals the inner workings of his mind .
Read More ⟶

Swift Misanthrope or Humanitarian

April 24, 2006 by aaron
One of the most important literary lessons one can learn from “Gulliver’s Travels” is the separation of protagonist, narrator and author. Although some times these three personalities blend into one many times they are two or three separate personalities. For example Shelly’s “Frankenstein” separates the author from the narrator and protagonist, although the protagonist is the narrator he does not know what is going to happen, just what has. Atwood’s “Happy Endings” is narrated by the author with the protagonists (although it is a stretch to call them that) are powerless.
Read More ⟶