Anthology of Ideas

During the 18th century, scientific and social changes reshaped the concept of the self. The individual slowly separated from the collective and began to develop as an antithesis of the collective agrarian society of prior centuries; thus, giving rise to a wave of new philosophical thought that evolved into the popular movement of the Enlightenment. The Enlightenment developed around the belief that scientific thought and expression should be free from religious interference and that the foundations of society should be human reason and logic. Over time, these ideals gave rise to Romanticism which introduced the contrast of nature and the self, the internal desires, feelings and beliefs, and juxtaposed Nature with science. Franklin, Poe and Thoreau each represent one of the three popular faces of Enlightenment and Romanticism: Franklin, a well-respected Enlightenment writer, focused his writings on the improvement of the social order through improvement of the self and the realization of a deistic world; Thoreau, an Emersonian or “bright” Romantic, merged Nature with science and allowed for both to work simultaneously while emphasizing the individual’s ability to remove themselves from the flow of society; Poe, a “dark” romantic, wrote mainly on the way the individual views his world and the way the nature of the mind can recreate the world.

During the Age of Enlightenment, western society examined itself through religious texts; it found that the religious doctrines of the past lacked unchanging principles and most of them hearkened to a more mystical mindset and flew in the face of scientific thinking. For some, this demonstrated that the religious texts themselves were flawed: it was in this mindset that the concepts of deism — a religious belief that if there is a god, he is not involved in the day-to-day affairs of human lives, and any human attempts to create rules and rituals concerning this god are corrupted by human nature — were first accepted as, partially, acceptable in mainstream thought. ((It was never accepted by the majority, but in certain intellectual circles it was.)) In Thomas Paine’s Age of Reason he advocates deism because its concepts allow for religious thought and morals based on the belief in a god and afterlife while still allowing society to not be “hemmed in” by religious doctrine.

In the course of this article the ending of the story and many other spoilers will be revealed. This is your only warning.

Shelley’s “Frankenstein” warns the reader to consider if just because something can be done should it be done. Twenty years before Shelley wrote “Frankenstein” Luigi Galvani found that electricity could be used to cause muscles in the dead to spasm, opening the door to the possibility that reanimation was possible. It was in this frame of mind that Shelley began “Frankenstein”. Shelley puts forth questions that has been repeated over the centuries by many people (1) Do people have the right to play God? (2) Can any good come from it? (3) Can man come to terms with his playing God?. She not only asks the questions but she, as most good writers, also answers them.

Frankenstein becomes all-consumed as he was creating his monster, forgoing all human contact so he can create his masterpiece.